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Journalist, Screenwriter Donates His Papers to the Harry Ransom Center

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Aaron Latham's notebooks photographed by Pete Smith

AUSTIN, Texas — Author, journalist and screenwriter Aaron Latham has donated his papers to the Harry Ransom Center at The University of Texas at Austin.

Latham’s 1978 Esquire article “The Ballad of the Urban Cowboy: America’s Search for True Grit” was adapted into the 1980 movie “Urban Cowboy,” and his 1983 Rolling Stone cover article “Looking for Mr. Goodbody” served as inspiration for the film “Perfect” (1985). Latham co-wrote the screenplays for both films.

“Thank you Ransom Center for providing an ark for the preservation of literature,” said Latham. “I am proud to be one of those lucky enough to be plucked from the storm. Noah saved the world two by two, but at the Ransom Center most everything is one of a kind.”

A page from Aaron Latham’s diary relating to the production of the film “Urban Cowboy,” October 5, 1979. Photo by Pete Smith. Aaron Latham Papers, Harry Ransom Center.

A contributor to such magazines as Esquire, Harper’s, New York magazine and Rolling Stone, Latham wrote in-depth journalistic profiles ranging in subject matter from automobile executive John DeLorean to Gay Talese’s sexual revolution.

“Aaron Latham is a real journalist in the highest and most heightened way,” said writer Marie Brenner. “He’s a social and literary observer who’s captured American culture from his biography of Scott Fitzgerald to his writing of the magazine profile that became ‘Urban Cowboy,’ whose script he co-wrote; from tales of America’s Wild West to profiles of titans of American media. He is the real thing.”

Among Latham’s papers are extensive materials relating to “Urban Cowboy,” including drafts, notes and research materials for his Esquire article, the film and the Broadway musical. Included is Latham’s extensive and detailed journal documenting the movie from the writing of the screenplay to actors’ screen tests to filming. The journal fills five notebooks and hundreds of pages, providing a nearly daily account of the creation of the film from Nov. 27, 1978, to Nov. 25, 1979.

 

Aaron Latham’s notebooks for his story, “The Ballad of the Urban Cowboy: America’s Search for True Grit,” and the film “Urban Cowboy,” ca. 1978–1979. Photos by Pete Smith. Aaron Latham Papers, Harry Ransom Center.

Files relating to Latham’s published books are also included for “Crazy Sundays: F. Scott Fitzgerald in Hollywood” (1971), “Orchids for Mother” (1977), “Perfect Pieces” (1987), “The Frozen Leopard: Hunting My Dark Heart in Africa” (1991), “The Ballad of Gussie and Clyde: A True Story of True Love” (1997) and the West Texas Trilogy (“Code of the West,” 2001; “The Cowboy with the Tiffany Gun,” 2003; and “Riding with John Wayne,” 2006).

“In his journalism and his creative work Aaron Latham has proved himself a perceptive observer of our social and cultural moment,” said Ransom Center Director Steve Enniss. “We’re grateful to him for placing his papers at the Ransom Center.”

 

A draft of Aaron Latham’s article about the Dallas Cowboys, published as “The Cowboys, the Indian, and the Computer that Fumbled” in Texas Monthly, 1986. Photo by Pete Smith. Aaron Latham Papers, Harry Ransom Center.

Within the archive are materials relating to several unpublished works, including drafts and research materials for a biography of Jack Kerouac and a novel and film about Cynthia Ann Parker.

“Aaron was a pioneer of new journalism,” Brenner said. “He wrote in vivid scenes and created the realistic worlds of his characters. Three of his articles were turned into movies. ‘Urban Cowboy’ indelibly defined a Texas world so singular it was adapted for Broadway. Latham later turned to fiction but as well continued to write and direct plays.”

Latham began his reporting career at The Washington Post and reported on the Watergate scandal for New York magazine. Within his papers are notes and files from this period.

Once cataloged, the materials will be accessible at the Ransom Center, a humanities research library and museum at The University of Texas at Austin.

High-resolution press images are available.